福建雕塑藝術, 尤(you)其(qi)是(shi)現代(dai)抽(chou)象(xiang)雕(diao)塑藝術, 對(dui)于(yu)現代(dai)建(jian)(jian)(jian)(jian)(jian)筑(zhu)語(yu)言的影響(xiang)是(shi)極其(qi)深(shen)遠和根深(shen)蒂固的。雕(diao)塑給(gei)予了建(jian)(jian)(jian)(jian)(jian)筑(zhu)靈魂, 讓(rang)建(jian)(jian)(jian)(jian)(jian)筑(zhu)更(geng)(geng)象(xiang)雕(diao)塑、更(geng)(geng)象(xiang)紀念碑、建(jian)(jian)(jian)(jian)(jian)筑(zhu)更(geng)(geng)具視覺(jue)沖擊(ji)力(li), 有些(xie)建(jian)(jian)(jian)(jian)(jian)筑(zhu), 甚至直接追求雕(diao)塑語(yu)言。建(jian)(jian)(jian)(jian)(jian)筑(zhu)與(yu)環(huan)境更(geng)(geng)離不開雕(diao)塑作品的襯(chen)托(tuo), 雕(diao)塑藝術品在建(jian)(jian)(jian)(jian)(jian)筑(zhu)中(zhong)起(qi)到了畫龍(long)點(dian)睛的作用, 雕(diao)塑讓(rang)建(jian)(jian)(jian)(jian)(jian)筑(zhu)更(geng)(geng)具環(huan)境包(bao)容與(yu)公共認知。雕(diao)塑給(gei)了建(jian)(jian)(jian)(jian)(jian)筑(zhu)美的語(yu)言、高尚的靈魂, 建(jian)(jian)(jian)(jian)(jian)筑(zhu)給(gei)了雕(diao)塑生(sheng)存的理由。

      從藝(yi)術的(de)(de)視角看, 福建雕(diao)塑與(yu)繪(hui)畫同(tong)源。雖(sui)然, 早期的(de)(de)雕(diao)塑并不是創作者的(de)(de)純(chun)粹的(de)(de)藝(yi)術創作, 早期的(de)(de)雕(diao)塑是追(zhui)隨(sui)一定的(de)(de)功能(neng)性(xing)的(de)(de), 多(duo)與(yu)祭(ji)祀(si)活動有(you)關。然而, 當雕(diao)塑逐(zhu)步發(fa)展成為純(chun)藝(yi)術, 并走上藝(yi)術道路的(de)(de)正軌(gui), 雕(diao)塑創作與(yu)繪(hui)畫一樣(yang)占據了(le)人類意識形(xing)態(tai)領(ling)域的(de)(de)前(qian)沿(yan), 并發(fa)揮著重要的(de)(de)引領(ling)作用。這一點主(zhu)要體(ti)現(xian)在雕(diao)塑藝(yi)術的(de)(de)形(xing)式語言上。