我們(men)知(zhi)道,福州(zhou)石亭(ting)(ting)雕(diao)(diao)刻(ke)是(shi)人們(men)憑借一定材(cai)料(liao)雕(diao)(diao)刻(ke)出(chu)來的,而(er)材(cai)料(liao)的特性(xing)(xing),也必然(ran)會(hui)對建筑的造型風格產生影(ying)響。由于各(ge)(ge)種(zhong)(zhong)材(cai)料(liao)性(xing)(xing)能(neng)的差異,因此,不同(tong)材(cai)料(liao)建造的涼(liang)亭(ting)(ting),就(jiu)各(ge)(ge)自(zi)帶有(you)非常顯著的不同(tong)特色(se),而(er)同(tong)時,也必然(ran)受到(dao)所用材(cai)料(liao)特性(xing)(xing)的限制。然(ran)后了解周邊的環(huan)境,一個石雕(diao)(diao)涼(liang)亭(ting)(ting)要(yao)(yao)融(rong)入(ru)周圍的環(huan)境中去,就(jiu)要(yao)(yao)按照規劃來辦(ban)事。最后通(tong)過各(ge)(ge)種(zhong)(zhong)雕(diao)(diao)刻(ke)手(shou)法,將福州(zhou)石亭(ting)(ting)雕(diao)(diao)刻(ke)完美(mei)地展現(xian)出(chu)來。這一點(dian)至關(guan)重要(yao)(yao),要(yao)(yao)完成(cheng)一個石涼(liang)亭(ting)(ting),有(you)可能(neng)要(yao)(yao)用到(dao)圓雕(diao)(diao)、浮雕(diao)(diao)等多種(zhong)(zhong)手(shou)法,才(cai)能(neng)完成(cheng)一個精美(mei)的石雕(diao)(diao)涼(liang)亭(ting)(ting)的。