福建雕塑藝(yi)術(shu), 尤其是現(xian)代抽象雕(diao)(diao)塑(su)(su)藝(yi)術(shu), 對(dui)于現(xian)代建(jian)(jian)(jian)(jian)(jian)(jian)筑語(yu)(yu)言的影響是極其深遠和根深蒂固的。雕(diao)(diao)塑(su)(su)給(gei)予了(le)建(jian)(jian)(jian)(jian)(jian)(jian)筑靈魂, 讓(rang)建(jian)(jian)(jian)(jian)(jian)(jian)筑更(geng)(geng)象雕(diao)(diao)塑(su)(su)、更(geng)(geng)象紀(ji)念碑、建(jian)(jian)(jian)(jian)(jian)(jian)筑更(geng)(geng)具視覺沖擊力(li), 有(you)些建(jian)(jian)(jian)(jian)(jian)(jian)筑, 甚至直接追求雕(diao)(diao)塑(su)(su)語(yu)(yu)言。建(jian)(jian)(jian)(jian)(jian)(jian)筑與(yu)環(huan)(huan)境更(geng)(geng)離不開雕(diao)(diao)塑(su)(su)作品(pin)的襯托, 雕(diao)(diao)塑(su)(su)藝(yi)術(shu)品(pin)在(zai)建(jian)(jian)(jian)(jian)(jian)(jian)筑中起到了(le)畫龍(long)點睛的作用, 雕(diao)(diao)塑(su)(su)讓(rang)建(jian)(jian)(jian)(jian)(jian)(jian)筑更(geng)(geng)具環(huan)(huan)境包容(rong)與(yu)公共認知。雕(diao)(diao)塑(su)(su)給(gei)了(le)建(jian)(jian)(jian)(jian)(jian)(jian)筑美的語(yu)(yu)言、高尚的靈魂, 建(jian)(jian)(jian)(jian)(jian)(jian)筑給(gei)了(le)雕(diao)(diao)塑(su)(su)生(sheng)存的理(li)由。

      從藝(yi)(yi)術的(de)(de)視(shi)角(jiao)看, 福建(jian)雕(diao)(diao)(diao)塑與繪畫(hua)(hua)同源。雖(sui)然, 早期的(de)(de)雕(diao)(diao)(diao)塑并不是(shi)創作(zuo)者的(de)(de)純粹的(de)(de)藝(yi)(yi)術創作(zuo), 早期的(de)(de)雕(diao)(diao)(diao)塑是(shi)追(zhui)隨一定的(de)(de)功能性的(de)(de), 多與祭祀(si)活動有關。然而(er), 當雕(diao)(diao)(diao)塑逐步(bu)發展成為純藝(yi)(yi)術, 并走上(shang)藝(yi)(yi)術道路的(de)(de)正(zheng)軌, 雕(diao)(diao)(diao)塑創作(zuo)與繪畫(hua)(hua)一樣占據了人類意識形態領域的(de)(de)前沿, 并發揮(hui)著(zhu)重(zhong)要的(de)(de)引領作(zuo)用。這一點主要體現在(zai)雕(diao)(diao)(diao)塑藝(yi)(yi)術的(de)(de)形式(shi)語言上(shang)。